• 482 Motorhead – No Sleep ‘Til Hammersmith

    482 Motorhead – No Sleep ‘Til Hammersmith

    In June of 1981 Motörhead released the greatest live record of all time. Seriously y’all, it’s the best. Let’s talk Motörhead, No Sleep ‘til Hammersmith!

  • 481 The Go Gos – Beauty and the Beat

    481 The Go Gos – Beauty and the Beat

    In July of 1981 The Go-Gos released their debut album. Its a stunning first outing with songs that are pure pop perfection. The record would climb to the top of the Billboard Hot 200 in 8 months time and eventually go on to sell over two million copies. Let’s talk The Go-Gos, Beauty and The Beat!

  • 480 Heaven 17 – Penthouse and Pavement

    480 Heaven 17 – Penthouse and Pavement

    In September of 1981 Penthouse 17 released their debut album. After jumping ship on Human League, Ian Craig Marsh and Martyn Ware chose their new band’s name from the fictional pop group mentioned in Anthony Burgesses’ A Clockwork Orange. Let’s talk Heaven 17, Penthouse and Pavement!

  • 479 Siouxsie and the Banshees – Juju

    479 Siouxsie and the Banshees – Juju

    In June of 1981 Siouxie and The Banshees released their 4th studio album. It is widely considered to be one of the finest post-punk records ever made. Let’s talk Siouxie and The Banshees, Juju!

  • 478 Einstürzende Neubauten – Kollaps

    478 Einstürzende Neubauten – Kollaps

    In October of 1981 Einstürzende Neubauten released their first official LP on the ZickZack record label. This is the sound of things not just falling apart but being intentionally destroyed. Industrial music taken at it’s most literal interpretation, melody be damned. Let’s talk Einstürzende Neubauten, Kollaps!

  • 477 Pretenders – Pretenders

    477 Pretenders – Pretenders

    In late December of 1979 Pretenders released their debut album. Recording began with Nick Lowe producing Stop Your Sobbing, but being of the opinion that this band was “not going anywhere”, he jumped ship and Chris Thomas came in to pick up the slack. The results? Pretenders debuted at #1 on the UK Album Charts, cracked the top 10 on the Billboard 200, certified platinum in 1982, and is considered one of the finest albums of all time. Let’s talk Pretenders, Pretenders!

  • 476 Steve Winwood – Arc of a Diver

    476 Steve Winwood – Arc of a Diver

    In late December of 1980, known multi-instrumentalist and Traffic aficionado, Steve Winwood, released his Platinum selling sophomore solo album. Recorded at his own Netherturkdonic Studios in Gloucestershire, Winwood opted to play all the instruments, write all the music, and produce and engineer the entire record himself. Let’s talk Steve Winwood, Arc of a Diver!

  • 475 The Specials – More Specials

    475 The Specials – More Specials

    In October of 1980 The Specials released their sophomore album. After six months on the road and utterly exhausted, the band went into the studio with musak on their minds. Jerry Dammers: “On that tour in America, I was listening to music in the hotel bars and elevators. Vibraphone music in elevators. Obviously this was classed as rubbish. I don’t know if it was my state of mind, because I was so zonked, but it struck me as a really weird, psychedelic music, which is now called lounge or exotica. It’s been rehabilitated, but at the time, to say you actually liked that music was mad. It completely freaked out some of the band.” The results speak for themselves. Let’s talk The Specials, More Specials!

  • 474 The Teardrop Explodes – Kilimanjaro

    474 The Teardrop Explodes – Kilimanjaro

    In October of 1980 The Teardrop Explodes released their debut album. Deriving influence from the 60s psyche movement and punk, these Liverpudlians made a significant contribution to post-punk and the future of rock music in Britain. Let’s talk The Teardrop Explodes, Kilimanjaro!

  • 473  UB40 – Signing Off

    473 UB40 – Signing Off

    In August of 1980 UB40 released their debut album. Robert Christgau – “Eight black-and-whites from Birmingham who named themselves after the dole card they know so well, they don’t play no ska–they’re songsmiths in a deep reggae groove. They take their time instead of pressing on to the next one, and more than one instrumental outwears its welcome.” Let’s talk UB40, Signing Off!

  • 472 Tom Waits – Heartattack and Vine

    472 Tom Waits – Heartattack and Vine

    In September of 1980 Tom Waits released his 7th studio album. Why it’s in here when Swordfish Trombones is just three short years away, who knows? Let’s talk Tom Waits, Heartattack and Vine!

  • 471 The Jam – Sound Affects

    471 The Jam – Sound Affects

    In late November of 1980 The Jam released their 5th studio album. Taking musical cues from many post-punk luminaries including Gang of Four, Joy Division, and Wire, with drummer Rick Buckler paying special attention to the drums on Off the Wall. It is The Jam’s crowning achievement and truly one for the book. Lets talk The Jam, Sound Affects!

  • 470 The Undertones – Hypnotised

    470 The Undertones – Hypnotised

    In April of 1980, The Undertones released their second album. Recorded at both Wisseloord Studios in The Netherlands and Eden Studios in London over the course of two months, the band cranked out more of the same material that endeared them so well to John Peel. Lets talk The Undertones, Hypnotised!

  • 469 Iron Maiden – Iron Maiden

    469 Iron Maiden – Iron Maiden

    In April of 1980 Iron Maiden released their debut studio album. Recorded at Kingsway Studio the previous December, the album is a shot across the bow for heavy music. With breakneck speeds, ferocious riffs, anthemic melodies, and the dulcet tones of original singer Paul Di’Anno, the album heralded the arrival of The British New Wave of Heavy Metal. Let’s talk Iron Maiden, Iron Maiden!

  • 468 Joy Division – Closer

    468 Joy Division – Closer

    In July of 1980 Joy Division released their final studio album. Once again produced by Martin Hannett but released two month after the tragic passing of lead singer, Ian Curtis, the album represents a high watermark of the post-punk genre. Lets talk Joy Division, Closer!

  • 467 Talking Heads – Remain in Light

    467 Talking Heads – Remain in Light

    In October of 1980 Talking Heads released their 4th studio album. With Brian Eno back at the helm, the band continues their trajectory as the best group to come out of the CBGB’s scene, and the album deserves every accolade that has been thrown at it. Lets talk Talking Heads, Remain in Light!

  • 466 Circle Jerks – Group Sex

    466 Circle Jerks – Group Sex

    In October of 1980 Circle Jerks released their debut album. With fourteen songs clocking in at just over fifteen minutes, the album is a true classic of the hardcore punk genre. Let’s talk Circle Jerks, Group Sex!

  • 465 Judas Priest – British Steel

    465 Judas Priest – British Steel

    In April of 1980, known hellbent for leather Turbo Lovers, Judas Priest, released their 6th studio album. Taking lyrical cues from AC/DC this time around, the band dropped some of the darker themes featured on their earlier releases, opting for a more party time feel. The record announced the arrival of The New Wave of British Heavy Metal and would help inspire the thrash metal genre of a few years later. Lets talk Judas Priest, British Steel!

  • 464 Killing Joke – Killing Joke

    464 Killing Joke – Killing Joke

    In October of 1980 Killing Joke released their debut album. “Bass, lead, to tell the killing joke, we mean it man! Total exploitation, no information, anonymity” was the rallying cry posted in Melodie Maker Magazine by keyboardist/singer Jaz Coleman and drummer Paul Fergeson in 1979. With the addition of guitarist Geordie Walker and bassist Youth, the band headed into the studio in August of 1980. Recorded at Marquee Studios in London and self-produced by the band, the album trail-blazed a sound that the Chicago indie scene of 5 years later would owe a true debt. Lets talk Killing Joke, Killing Joke!

  • 463 Motörhead – Ace of Spades

    463 Motörhead – Ace of Spades

    In November of 1980 Motörhead released their fourth studio album. Recorded in August and September of the same year, the illustrious producer Vic Maile managed to capture the raw power of the trio all while tightening up their sound. Though the band hated being lumped into The New Wave of British Heavy Metal, the record is a true watershed moment where the fury of punk and the speed of metal were fused together by one of the best rock n roll bands around. Lets talk Motörhead – Ace of Spades!

  • 462 Echo & the Bunnymen – Crocodiles

    462 Echo & the Bunnymen – Crocodiles

    In July of 1980 Echo & the Bunnymen released their debut album. Recorded over the course of about three weeks and produced by Bill Drummond, David Balfe, and Ian Broudie, the album is considered one of the finer debut records in the 80s. Let’s talk Echo & the Bunnymen, Crocodiles!

  • 461 The Cure – Seventeen Seconds

    461 The Cure – Seventeen Seconds

    In April of 1980 known sad bois from West Sussex, The Cure, released their second studio album. Due to being cash strapped, the record was recorded and mixed down in seven days with the band pulling 16 – 17 hour per, with the majority of the songs being conceived and written by lead singer Robert Smith in his parent’s house on a Hammond organ. The album has gone on to be considered a pioneering example of gothic rock and an harbinger of the gloom to come. Lets talk The Cure, Seventeen Seconds!

  • 460 The Soft Boys – Underwater Moonlight

    460 The Soft Boys – Underwater Moonlight

    On June 28th of 1980 The Soft Boys released their 2nd studio album. Recorded in parts during June of 79, and from January to June of 80 on both 4 and 8 track recorders for the low price of £600, the album hearkens back to the psychedelia of the 60s but with its feet firmly planted in the post-punk of it’s day. Though not a commercial success upon it’s release,the album’s influence and legacy cannot be overstated (we see you, R.E.M). Lets talk The Soft Boys, Underwater Moonlight!

  • 459 Peter Gabriel – Peter Gabriel

    459 Peter Gabriel – Peter Gabriel

    In May of 1980, former Genesis alum Peter Gabriel released his third self-titled record. Known by informally as Melt, (due to the altered Polaroid photo of Gabriel with half of his face melting off) the album became his first commercial breakthrough as a solo artist, showing him to be a true innovator and one of the finest musical artists of his day. Let’s talk Peter Gabriel, Peter Gabriel!