-
258 T Rex – The Slider
Buoyed by two U.K. number one singles in “Telegram Sam” and “Metal Guru,” The Slider became T. Rex’s most popular record on both sides of the Atlantic, despite the fact that it produced no hits in the U.S. The Slider essentially replicates all the virtues of Electric Warrior, crammed with effortless hooks and trashy fun.
-
257 Stephen Stills – Manassas
From the Steven Stills website By 1972, what we call classic rock was pretty much peaking – though nobody at the time knew it. Except maybe Stephen Stills. The band and double-album he piloted and released that year—both named Manassas—now seem pivotal. Manassas brilliantly summed up the remarkable 1960s creative surge that revitalized rock’s roots…
-
256 Stevie Wonder – Talking Book
After releasing two records during 1970-71, Stevie Wonder expanded his compositional palette with 1972’s Talking Book to include societal ills as well as tender love songs, and so recorded the first smash album of his career.
-
255 Nitty Gritty Dirt Band – Will the Circle Be Unbroken
It took the Nitty Gritty Dirt Band until this album to come up with a merger of rock and country music that worked for both sides and everyone involved. Not only did this album result in exposure to a new and wider audience for the likes of Mother Maybelle Carter, Roy Acuff, Earl Scruggs, Merle…
-
254 Todd Rundgren – Something Anything
After two albums, Todd Rundgren had one hit and a burgeoning cult following, plus growing respect as a hitmaking record producer. There’s no question he was busy, but as it turns out, all this work only scratched the surface of his ambition. He had decided to abandon the Runt pretense and recorded a full double…
-
253 Milton Nascimento E Lô Borges – Clube Da Esquina
1972 saw Brazil controlled by a repressive military regime, but it was also a watershed moment for Brazilian pop music, or as it’s often called, MPB. Tropicália heroes Gilberto Gil and Caetano Veloso had found success outside of Brazil and had already stirred the flames of inspiration for the corner music collective and people from…
-
252 Hugh Masekela – Home Is Where the Music Is
Home is where the music is , marked a sharp detour from Hugh Masekela’s more pop-oriented jazz records of the ’60s. Masekela was chasing a different groove altogether. He was looking to create a very different kind of fusion, one that involved the rhythms and melodies of his native South Africa, and included the more…
-
251 Lou Reed – Transformer
Being Lou Reed in 1972 was a raw deal: two years after walking away from one of the greatest and most influential bands in rock history, he found himself a penniless, strung-out wreck, with a career suddenly and seriously on the wane. To make matters worse, his self-titled solo debut, released earlier that year, was…
-
250 Yes – Close to the Edge
Close to the Edge comprised just three tracks that represented the musical, lyrical, and sonic culmination of all that Yes had worked toward over the past five years. We are now in heavy prog.
-
249 Deep Purple – Made in Japan
Recorded over three nights in August 1972, Deep Purple’s Made in Japan was the record that brought the band to headliner status in the U.S. and elsewhere, and it remains a landmark in the history of heavy metal music.
-
248 Slade – Slayed
Crank the volume up and the whole world will be going crazee all over again. A very fun record that inspired everything from , hard rock, to glam to 80’s hair metal.
-
247 Curtis Mayfield – Superfly
Mayfield, along with several other soul and funk musicians, spread messages of hope in the face of oppression, pride in being a member of the black race and gave courage to a generation of people who were demanding their human rights, without abandoning the struggle for equality. He has been compared to Martin Luther King,…
-
246 Neil Young – Harvest
Graham Nash — of Crosby, Stills, Nash & Young — has a story about his friend, Neil Young, that has been almost too perfect to believe for nearly three decades. As the myth goes, Nash was at Young’s ranch just south of San Francisco when Young asked him if he wanted to hear something. (That…
-
245 Steely Dan – Can’t Buy a Thrill
Most rock & roll bands are a tightly wound unit that developed their music through years of playing in garages and clubs around their hometown. Steely Dan never subscribed to that aesthetic. As the vehicle for the songwriting of Walter Becker and Donald Fagen, Steely Dan defied all rock & roll conventions. -Artist Biography by…
-
244 Black Sabbath – Black Sabbath, Vol. 4
Often overlooked by the general public and stories of studio insanity can’t keep this album from showing Black Sabbath create something interesting.. “The recording was plagued with problems, many due to substance abuse. In the studio, the band regularly had speaker boxes full of cocaine delivered.[2] It’s no secret the band consumed Scarface-like piles of…
-
243 Big Star – #1 Record
A classic record that went unnoticed on it’s release but has seen a huge influence on artist with each re-release. Sit back crank it up and enough this power pop masterpiece.
-
242 Deep Purple – Machine Head
Led Zeppelin’s fourth album, Black Sabbath’s Paranoid, and Deep Purple’s Machine Head have stood the test of time as the Holy Trinity of English hard rock and heavy metal, serving as the fundamental blueprints followed by virtually every heavy rock & roll band since the early ’70s. – AllMusic summery by Eduardo Rivadavia
-
241 Randy Newman – Sail Away
Randy Newman’s third studio album, finds the singer/songwriter at the beginning of a great career with a beautiful blend of orchestrated pop, stripped-down insight and humor. You listen to Randy and you are going to learn something.
-
240 David Bowie – Hunky Dory
Bowie has arrived with Hunky Dory, a kaleidoscopic array of pop styles, tied together only by Bowie’s sense of vision: a sweeping, cinematic mélange of high and low art, ambiguous sexuality, kitsch, and class. Another classic. This is going to be a good year.
-
239 T. Rex – Electric Warrior
The most iconic band of the U.K. glam rock scene of the ’70s, T. Rex were the creation of Marc Bolan, who started out as a cheerfully addled acolyte of psychedelia and folk-rock until he turned to swaggering rock & roll with boogie rhythm and a tricked-up fashion sense. For a couple years, T. Rex…
-
238 Harry Nilsson – Nilsson Schmilsson
When the Beatles famously said Nilsson was their favorite artist. He went from a great songwriter to a world renown stardom. Nilsson was one of the few major pop-rock recording artists of his era to achieve significant commercial success without ever performing major public concerts or undertaking regular tours. The craft of his songs and…
-
237 John Prine – John Prine
One of the most celebrated singer/songwriters of his generation, John Prine is a master storyteller whose work is often witty and always heartfelt, frequently offering a sly but sincere reflection of his Midwestern roots. While Prine’s songs are often rooted in folk and country flavors, he’s no stranger to rock & roll, R&B, and rockabilly,…
-
236 Gene Clark – White Light
Clark took time to hone his songwriting to its barest essentials. The focus on these tracks is intense, they are taut and reflect his growing obsession with country music. I think it sounds a little too much like Bob Dylan, but as far as influences you could do worst.
-
235 Flamin’ Groovies – Teenage Head
While they first rose to fame in San Francisco in the late ’60s, they had little interest in the psychedelic music that was all the rage in the Bay Area and instead focused on pure roots rock and Rhythm and Blues. It’s simple straightforward and fun as hell.