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095 The Young Rascals – Groovin
Groovin’, the Young Rascals’ third album, raised their profile even higher with their melodic songcraft, crisp arrangements and positive vibes. It’s a feel good time for the group but we are divided on if it’s a “good album”.
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094 The Byrds – Younger Than Yesterday
Younger Than Yesterday was somewhat overlooked at the time of its release during an intensely competitive era that found the Byrds on a commercial downslide. This is the moment we start questioning why this book has so many Byrds albums. Why book why?
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093 The Doors – The Doors
The Doors were unique, controversial and one of the most influential rock acts of the 1960s their debut self-titled album is impressive. Despite the negative preconceptions from the group about The Doors (or rather Jim Morrison), having the historical context seems to have changed some minds about the group.
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092 Francis Albert Sinatra & Antonio Carlos Jobim
By 1967, bossa nova had become quite popular within jazz and traditional pop audiences, yet Frank Sinatra hadn’t attempted any Brazil-influenced material. Guess what happens next…
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091 The Velvet Underground & Nico – The Velvet Underground & Nico
Perhaps the album with the single biggest gap between initial commercial success and ultimate historical relevance, The Velvet Underground & Nico has become a legendary fountainhead of influence and inspiration.
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090 The Who – The Who Sell Out
The Who Sell Out is a concept album of sorts that would simultaneously mock and pay tribute to pirate radio stations, complete with fake jingles and commercials linking the tracks. And The Who keep getting better with every album.
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089 Pink Floyd – The Piper at the Gates of Dawn
Pink Floyd begins their rise as the legendary psychedelic band and Syd Barret begins a downward spiral into a drug induced nightmare. Some of us like it and some of think that it’s unnecessary listening for the band.
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088 Cream – Disraeli Gears
Cream laid the foundation of the late 60’s fuzzed blues based rock along side Jimi Hendrix and Deep Purple. They popularized the use of the wah-wah pedal and produced a heavy yet technical style that would be carried on by many British bands.
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087 Love – Forever Changes
Although it was a flop upon its initial release Love’s Forever changes has since become a classic of of the west coast psychedelic scene and has forever changed many of the groups appreciation of the the genre.
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086 Tim Buckley – Goodbye and Hello
Tim’s wonderful voice seems to carry this album that the group has mixed reactions to.
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085 The Monkees – Headquarters
The first Monkees album with substantial songwriting and instrumental performances by members of the group itself, rather than by session musicians and professional songwriters. After a struggle for creative autonomy with their record label, the group had been allowed to record by themselves and to their credit we all find it enjoyable.
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084 Beau Brummels – Triangle
The Beau Brummels’s album Triangle is a leap forward into a more creative side of the band. It incorporates fantasy elements and surreal characters into an album full of lyrical imagery, complex arrangements and beautiful melodies. All this from a teen idol band that appeared on American Bandstand and the Flintstones.
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083 Love – Da Capo
One of the best West Coast folk-rock/psychedelic bands, Love may have also been the first widely acclaimed cult/underground group. During it’s brief period with the initial line up Love released three albums in three years. The second side only contains one long jam session song. Does it ruin the album? Lets discuss.
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082 Moby Grape – Moby Grape
Armed with three virtuoso guitarists and five members who could all sing and write, Moby Grape had the greatest commercial potential of any San Francisco band in 1967. They quickly blew it all thanks to internal tensions, the acid-intensified psychological collapse of guitarist Skip Spence and Columbia’s hysterical hype, which included releasing five simultaneous singles…
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081 Captain Beefheart & His Magic Band – Safe as Milk
Safe as Milk is the debut album by Captain Beefheart and his Magic Band, released in 1967. A heavily blues-influenced work, the album featured a 20-year-old Ry Cooder, who played guitar and wrote some of the arrangements.
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080 Buffalo Springfield – Again
The band that included Stephen Stills, Neil Young, and Richie Furay gives us an interesting array of songs, but it feels more like a songwriting collective.
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079 Country Joe & the Fish – Electric Music for the Mind and Body
Electric Music for the Mind and Body expand upon the band’s “new psychedelic medium”, embracing all facets of the members’ influences and melding them into various forms and we meld our opinion into a unifying rejection of this album.
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078 The Beatles – Sgt Peppers Lonely Hearts Club Band
Some would call it the crowning achievement of the Beatles works and their entire career and some would call it the first misstep into a the silly and misguided side of the Beatles.
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077 Nico – Chelsea Girl
Nico’s Chelsea Girl is a delicate atmosphere and emotionally stirring album. Full of great players and classic songs. Haunting…
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076 Astrud Gilberto – Beach Samba
Again we have another Samba / Bossa Nova Gilberto Album? Some of us find the 60’s pop great and some of us wish the Gilberto’s would just go away.
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075 Nina Simone – Wild Is the Wind
Nina Simone was one of the most gifted vocalists of any generation. She was a singer, pianist, and songwriter who bent genres to her will rather than allowing herself to be confined by their boundaries. We can’t praise this album enough!
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074 The Yardbirds – Roger the Engineer
Perhaps know most for starting the careers of three of rock’s most famous guitarists, Eric Clapton, Jimmy Page and Jeff Beck, The Yardbirds show us a transitional time with the young up and coming Beck’s fuzzed out guitar.
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073 John Mayall With Eric Clapton – Blues Breakers
Bluesbreakers with Eric Clapton was Eric Clapton’s first fully realized album as a blues guitarist and the group seems to absolutely despise it. We talk a lot about what the group calls “Dad Blues”.
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072 13th Floor Elevators – The Psychedelic Sounds of the 13th Floor Elevators
A special aspect of The Elevators’ sound came from Tommy Hall’s innovative electric jug. The jug, a crock-jug with a microphone held up to it while it was being blown, sounded somewhat like a cross between a minimoog and cuica drum. Let’s be honest some of us hate the jug.